by Andrew Lockley

The sky is falling in, if you’re working in the publishing industry.  We’re seeing a revolution comparable to the coming of the steam train.  Publishers are well aware of this, and are keen to maneuver more successfully than the music industry did before it got overtaken like a stagecoach racing Stephenson’s Rocket. I went to Digital Minds, to see how the world of books is coping with this new-fangled technology.

Unlike in music, there’s no transitional format for books.  We don’t load CDs into our ebook readers, and there’s no consequential protection from piracy.  In certain markets, piracy is already rife, because there’s no legal channel for people to buy.  In other cases, certain titles aren’t available.  Harry Potter print format books have been scanned, OCR’d and distributed illegally online.  This, and other information I picked up at this conference, showed me how fast everything is changing. I learned how the book publishing industry is trying to cope, following the guiding light from the various sectors which have already been thoroughly smashed up by the coming of this digital revolution.  It’s usually easier and cheaper to learn from someone else’s mistakes than it is to invent your...

Julie Meyer standing

Julie Meyer

(an edited and shorter version of this article appeared in the Financial Times on the 14th of April, but this is the original article)

Venture Capital as an asset class is frequently derided as a failure in Europe. Speak to any fund of funds firm in Europe (and I have spoken to a hundred of them), and they will tell you that no one makes any money on venture capital in Europe. The big names in European early-stage venture in the late 1990’s have either moved upstream to buy-outs (Apax), disappeared (3i, NetPartners), been acquired (Quester, Frontiers Capital) or the investment teams have moved on (Benchmark, Add Partners, Atlas Ventures). Even the big venture capital firms do more growth capital than early stage/seed investments today.

The reality of entrepreneurship in Europe however over the past decade and a half has changed dramatically. We have today successful >€100 million firms such as Shazam, Spotify, Monitise, and Seatwave. Exits such as Autonomy and Skype where they have become major business units for their...

Mobile Monday is an unusual event: half tech startup, half corporate suit. It brings together the great and the good from the London mobile scene – everyone from senior Telco network types to journalists, app developers and agencies. 

Once a month, everyone comes together at the etc. venue at CentrePoint, Tottenham Court Rd tube (although this isn’t completely reliable, so do check first).

The format is usually a panel discussion, with a broad range of participants.  Today the discussion was on the future of tablets, with participants representing Barnes & Noble, as well as the agency and journalism wings of the industry.

The format is coffee, plus an hour or two of panel discussion and questions, then drinks following.  It’s an opportunity to associate with some serious players, but it can require quite a bit of work to access the right people. The format is free-form networking, which doesn’t directly encourage new connections among the audience.  So if you don’t want to end up sitting in the corner checking your emails, you’ll have to make an effort….

To capture the entirety of a two-hour event in a few lines is pretty tricky, so without too much structure, I’ll give a few titbits...